Something About Eliza

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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
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natureisourhome:
“Planting wildflowers along highways is not only a visually stunning choice but also a more sustainable and eco-friendly alternative to traditional grass. Wildflowers bring a burst of vibrant colors, attracting pollinators like bees...
natureisourhome

Planting wildflowers along highways is not only a visually stunning choice but also a more sustainable and eco-friendly alternative to traditional grass. Wildflowers bring a burst of vibrant colors, attracting pollinators like bees and butterflies, contributing to the overall health of local ecosystems. This natural beauty creates a more pleasing environment for travelers and can even boost tourism as wildflower displays become a spectacle. Moreover, wildflowers require minimal maintenance, unlike grass, which needs constant mowing and upkeep, saving time, resources, and money in the long run.

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headspace-hotel

it's definitely my predisposition to extreme frugality+redneck engineering, but i'm now obsessed with creating things literally without buying Anything. no supplies no tools no nothing, only the stuff you can just find outside, like Plants, Sticks, and Rocks.

I'm making textiles with nothing but foraged plant materials using no tools except sticks. Nature allows you to do this! There's no rules! I mean okay well maybe there might be some rules sometimes but they're just weak human rules! The plants themselves? They're like "Why sure! You can make yarn with nothing but fibers from the dead stem I don't need anymore, a couple sticks from that tree over there, and your own body and mind! Why not?"

Plants like to give us gifts! And nobody has the power to stop them!

headspace-hotel

Once you know the ways of the plants, the ways of our capitalist society become silly and hard to understand, sometimes even instilling you with a sense of dread.

I was looking at the textile books in the library to try to learn about plants you can make textiles from. I was shocked to discover how incurious most books are about the origin of the very matter from which textiles are made!

For one thing, there were whole shelves of books on how to weave, how to knit, and how to quilt, but barely a single complete volume on how to create yarn or thread to begin with.

Of the books that did cover how the yarn is created, many of them discussed only wool, and those books didn't concern themselves with how to get the wool off the sheep, or how to find such an organism and enter a mutualistic partnership with it in the first place...

If you know the ways of the plants, you will be almost offended when a book about how to make a thing, starting from the beginning of that thing, tells you immediately to buy something. You don't mean "one or two steps further back in the process of a thing being assembled"β€”you mean the BEGINNING beginning. You seek to learn how the thing is born from the living Earth, not where to buy a Product in a less assembled form.

Where do Products come from...?...According to the capitalist, consumerist way, they come from other, simpler Products of course, which ultimately are born from Industries. I found a book or two which made some attempt to give a more exhaustive list of possible textile materials, with sub-section for plants, which included: Flax, Cotton, Hemp, Jute, Ramie, and some allusion to other possibilities such as Nettle. This of course is a list of plant fibers for which a Huge Industry exists. Regarding plant fibers for which there is no huge industry, the books either said nothing or said something like "...but sadly, there is no huge industry based upon these plants (so they are not worth talking about any more)"

I found a few cryptic statements saying that the range of plants that could be used for textile purposes is theoretically limitless...but none of the books were interested at all in those theoretically limitless plants.

It's not that only those few plants are really good for textiles and the other ones are inferior, either. I have learned from my delves into the Internet, that many plants now considered totally useless to humans and not investigated for their potential applications at all...have actually been used by some human culture on Earth for thousands of years as a fundamental part of everyday life.

Native Americans for thousands of years utilized plants native to this region for textiles. These ones are among the plants I have been gathering; they are plants that naturally grow here and can be harvested sustainably, in fact in many cases they benefit from being harvested.

Apocyonum cannabinum, also known as Dogbane, is essentially a North American analog to hemp or flax; you extract the bast fiber from the stem by beating it until the woody part breaks into pieces and falls out and the outer bark flakes off. This plant is native to all U.S. states except Alaska and Hawaii and I reckon that's because of its importance as a textile plant.

I've collected big bundles of the stuff by picking over fields that have been mowed already by a brush cutter; it's so easy, because the fibers are so strong that they are not broken by the brush cutter. Instead, I find mats and bundles of fiber 1-2 feet long stretched out over the ground or trailing from the stubs of stems, often with the woody parts and outer bark already beaten out by the mowing. Simply mowing a field where dogbane grows essentially pre-processes the fiber so your work is half done for you.

It is amazing to me that a person can see how the fibers do that if you mow the plants in the fall, and not immediately think, "We should be making string or rope out of that." Early colonial texts call this plant "Indian hemp" and say it is superior to actual hemp. Likewise what few resources I can find on Native American textile plants, list dogbane as one of the main ones.

So I gather the dogbane. It is astonishingly strong, fragrant when you handle it, and beating the fibers is loads of fun, just a great way to blow off steam. The fibers range in color from almost pearly white to cream to peach to beautiful shades of orange and copper, and have a lovely sheen to them.

After I've beaten the fibers and gotten them to mostly separate I tease them out with my fingers and scrape out all the remaining little bits of bark, and pull them through a plastic comb until the soft and lustrous fibers are separated and all that's left is some nubby bits of lint.

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The last picture is what it looks like after combing and cleaning. The color looks more washed-out than it is for real because of my white lamp.

These fibers weren't quite as well-processed so the end result was kind of rough and scraggly, but I experimented by making some string:

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All I used to spin it was a stick with a notch in the top so I could twist with my fingers, holding the other end of the stick steady and pulling the strand back towards myself. Whenever I finished a little more I would just loop it over the bend in the top of the stick and keep going.

The other fiber I've been experimenting with is milkweed seed fluff. This one is an interesting one because it was the first material I became interested in spinning, and the first I experimented with to the point of making a yarn. It took a long time to figure it out, I have quite a bit of single-strand seed fluff yarn now, and intend to spin this into a three-ply yarn to make it strong.

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I was so happy! My first yarn! Spun with nothing but a stick. It's delicate but it holds together and handles being unwound and rewound just fine, and I think making a 2 or 3 ply yarn would make it pretty workable.

So imagine my surprise when I begin reading about textile arts and the possible uses of the plants i'm working with, and learn that spinning milkweed seed fluff is impossible?

Milkweed bast fiber has been used, like the dogbane bast fiber, but according to the internet, spinning the seed fluffs into yarn is something that cannot be done, because they are too short, smooth, and fragile. Many have tried! It doesn't work!

That was news to me.

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As I read more about spinning the more conventional plant fibers, though, I consider what a deep knowledge humankind has cultivated of the ways of wool and flax and cotton, and think...is my total lack of knowledge about spinning yarn, the reason I was able to spin the milkweed fluffs?

Normal people would have armed themselves with the proper tools for undertaking a new activity, but I didn't even bother to look up what I was doing, because MacGyvering cool stuff out of materials from nature you can find anywhere outside is basically half my personality at this point, and makes me feel unreasonably powerful. As a result, I made a technological approach to spinning yarn that was designed specially for the challenges of spinning milkweed seed fluffs, and only later realized that 1) this is not a normal way to spin yarn and 2) i'm not supposed to be able to spin this stuff at all.

And it's because I came at it backwards. Instead of trying to use existing technology to spin milkweed fluffs, I became determined to spin milkweed fluffs and developed my technique based on what would work to do that, without any knowledge of what I was "supposed" to be doing.

If I had been normal about it and thought "Hmm, I should buy the right tools to do this" or even thought "Hmm, I should start with fibers that are usually used to make clothes" this would not have happened.

I'm coming at everything backwards: instead of "Where can I purchase Thing I Want To Work With?" it's "What does Nature provide, and what cool stuff can I do with it?"

I didn't even set out to work with textile materials. It's just that the plants kept giving me textile materials. This hobby absolutely snuck up on me out of nowhere this was not my idea

People have had success blending milkweed fluffs with other stuff, so I'm going to try to blend it with the dogbane next! I am fully going to go all the way and make like clothes or bags or blankets out of this stuff. There is no turning back for me, the euphoria of creation and the profound wisdom of the plants have inflicted a fascination with my task.

dr-dendritic-trees

What's the staple length of that milkweed please? I am fascinated by it.

headspace-hotel

You mean like the length of the individual fibers? They're like an inch on average, the biggest seed pods have fluffs a little longer.

Basically the reason it works, I think, is that I'm twisting the strand with my fingers, pulling back toward my body and using the other end of the stick as an anchor point/leverage. There is something about the warmth and moisture of touching the fibers so much that makes them want to bind together more.

There is a lot of twist to the yarn, but it's not a problem, in fact if you twist until it kinks up, you can just...mash the kinked part between your fingers really hard and it'll flatten out and you can keep going. The fiber is springy and pliable in a way that lets you do things like that with it.

Where a lot of people messed up was they tried to card it. All you need to do is spend some time gently pulling the fibers between your fingers to separate the individual fibers in each "tuft" that attaches to a single seed. If you're too rough with it, the fibers will just break and that's not good. But you do kinda have to play with it in your hands? I don't know if it's the oils in your hands or what, but touching it a lot makes them want to mold together to each other more.

I can really see how this material is totally different than anything else you could spin in many ways.

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brightlotusmoon

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the-moon-loves-the-sea

This is so wrong, though. Because “Don’t sit down, never sit down,” is absolutely what some of the most productive adhders I know are living by, and it’s killing them. They burn out, their health breaks down, they lose the capacity to sleep a full night because their nervous systems have forgotten how to relax, they live with chronic systemic pain that doctors can’t find a source for.

If you want to live a productive life with adhd, forget about your productivity looking like a neurotypical’s. What you need are the brain engine primers, a habit of trusting yourself, and a phone timer. What I mean is, believe that you are capable of finding a way to do what you need to do. Let go of what neurotypical people tell you about life goals and five year plans and figure out what is important to you.

And then figure out what starts your engine. Not just one thing, ten or twenty things. Does a cup of coffee in the morning help your brain get in gear? Do you process better if you go on a walk? Do you feel more present in your body with a regular yoga class? Is there music you can play that gets you hyped?

And then ride the waves of your brain. Take ten or twenty minutes to do whatever is the next thing you need — a phone call or the vacuuming or a report — and then stop. (Unless you’re on a roll you want to ride; keep going then while it still feels good, unless it’s been an hour or two and you need to eat and pee and take a breather.) Put the task down. Set the damn phone timer for ten minutes or twenty. Get one of the calm-down things that puts you back in your body — a cup of tea, or a moment standing outside breathing deep, or a look at tumblr, or a snack.

Then when the timer goes off, pick a brain starter. Put the playlist on or pull your hair back or start pacing, and start the next damn thing. Or the same damn thing. And be proud of yourself. You are gorgeous and you’ve got this.

brightlotusmoon

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You're so correct.

I've known so many people who assumed they were exceptions. They were for a while. Now one of them needs a new hip and another needs a knee replacement.

headspace-hotel

Thank god someone responded with this because I was about to be like "I am obligated to warn you, that you are going to be learning a very big lesson some time soon."

Your fancy human brain is very young. It thinks of ideas, yes! But you have in the very core of your being, a billions-of-years-old survival engine that ruthlessly keeps you alive.

You can be determined to live your life as though you are being hunted for sport, and you will either die, destroy your health, or this much more ancient part of you will save you, by making your body fall apart in very bizarre ways until you have no choice but to rest.

the-haiku-bot
vavandeveresfan

"It's the Great Paywall, Charlie Brown!"

Once again the greedy assholes have stuck "It's the Great Pumpkin, Charlie Brown!" on Apple+.

This cartoon has been a Halloween tradition of mine since it first aired in 1966 on network TV.  For decades kids enjoyed this for free.

So it infuriates me that now the only people who can see it have to pay for streaming or the DVD.  I can't even afford streaming.

So here it is, the whole thing.  Feel free to reblog, download and/or share.

the-haiku-bot

So here it is, the

whole thing. Feel free to reblog,

download and/or share.

Beep boop! I look for accidental haiku posts. Sometimes I mess up.

headspace-hotel
headspace-hotel

Y'all ever open a book on a new subject, read a little bit, and have to put it back so you can process the way in which your mind was just expanded?

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The textile book: okay here is some of the ways that textiles are important to human life

me: Okay!

The textile book: Clothes separate the vulnerable human body from the conditions of the outside world, and in doing so absorb the sweat and debris of human existence, accumulating wear and tear according to the lives we live. In this way, various lifestyles and professions are represented by clothing, and the clothing of a loved one retains the imprint of their physical body and their life being lived, as though the clothes absorb part of the wearer's soul

Me: ...oh

The textile book: The process of weaving a garment and the process of a child being formed in its mother's womb are often referred to using the same language. Likewise, when a baby is born, a blanket or other textile material is the first material object it encounters and protects it. Textiles can create the idea of two things being inextricable, as with being "woven together," or can create the sense of separateness, as with a curtain or veil that separates two rooms or spaces, even separating the living from the dead, or separating two realities, such as a performance ending when the curtain falls

Me: ...oh God

The textile book: Odysseus's wife Penelope undid her weaving in secret every night to delay the advances of her suitors. In this way she was able to turn back the passage of time to allow her husband to come home. Likewise the Lakota tell a story of an old woman embroidering time by embroidering a robe with porcupine quills. If she finishes the embroidery, the world will come to an end, but her faithful dog pulls out the quills whenever her back is turned, turning back the clock and allowing existence to continue.

me: ...is...is...is that why we refer to the fabric of space and time?

The textile book: The technological revolution of textile making is sadly underappreciated. The textile arts are possibly the most fundamental human technology, as once people created string and rope, they could create nets for catching fish and small animals, and bags and baskets for carrying food. In the earliest prehistoric times, the first string or cord perhaps came from sinew, found in the body of an animal. Because of this perhaps the body of a living being could be understood as made of a textile material. Indeed textiles have the function of preserving life, as with a surgeon stitching back together the human body or bandages being placed on a wound. Textile technologies are being used to create life-changing implants to restore function to injured parts of the body, as though a muscle or tendon can be woven and made in this way. Cloth can be used to create a parachute that will save a human's life as they plummet out of the sky. Ultimately, the textile technologies are used to enter new parts of the universe. [Photo of an astronaut and details explaining the astronaut's suit]

Me: STOP!! MY MIND IS NOT STRONG ENOUGH FOR THIS

shadykirby
discoasphodel13

Hey so it's come to my attention that the Creators of Disco Elysium want you to share the game and not give the company who took over and fired them (illegally)?) any profits off of their ideas and work, and I originally joined tumblr 2 weeks ago when that post was going around about the Steam sale and how you should [Skull and Crossbones flag] it instead.

So.

in light of that.

Check the replies/notes of this post :)

I was informed that posts containing links in them aren't findable in the search so i'll just.... drop a link in a seperate reboot :)

first things first though, copy this key:

q4-EJ9G2DV7MYYI-Vs0KdQ

discoasphodel13

here's the edited version with the captal YY in the key above!

and also the Google drive link :

fallout-lou-begas

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magz

ID: The "It's free real estate" meme edited to say "It's free Disco Elysium". End ID.

hypercam2
desertskiespodcast

I tried to write a novel. Not once. Not twice. But about 12 times. Here's how that would play out:

1. I sit down and knock out 10 pages
2. I share it with someone
3. They say "It's goooood" like it's not good
4. I ask for critical feedback
5. They say, "Well....the plot just moves so quickly. So much happens in the first few pages it doesn't feel natural."

So I'd write more drafts. I'd try to stretch out the story. I would add dialogue that I tried to make interesting but thought was boring. I would try including environment and character descriptions that felt unnecessary, (why not just let people imagine what they want?)

Anyways, I gave up trying to write because in my mind, I wasn't a fiction writer. Maybe I could write a phonebook or something.

But then I made a fiction podcast, and I waited for the same feedback about the fast moving plot, but guess what???

Podcasts aren't novels. The thing that made my novels suck became one of the things that made Desert Skies work. I've received some criticism since the show started, but one thing I don't receive regular complaints about is being overly-descriptive or longwinded.

In fact, the opposite. It moves fast enough that it keeps peoples attention.

I always felt I had a knack for telling stories but spent years beating myself up because I couldn't put those stories into novel form. The problem wasn't me. The problem was the tool I was trying to use.

All that to say:

If, in your innermost parts you may know that you're a storyteller but you just can't write a book, don't give up right away. You can always do things to get better and there's a lot of good resources.

But if you do that for a while and novel writing just isn't your thing, try making a podcast, or creating a comic, or a poem, or a play, or a tv script.

You might know you're an artist but suck at painting. Try making a glass mosaic, or miniatures, or try charcoal portraits, or embroider or collage.

You might know you're a singer, but opera just isn't working out. Why not yodel?

I could keep listing out examples, but the point is this. Trust your intuitions when it comes to your creative abilities, but don't inhibit yourself by becoming dogmatic about which medium you can use to express that creativity.

Don't be afraid to try something new. Don't be afraid to make something new. You might just find the art form that fits the gift you knew you always had, and what it is might surprise you